How a switch actuates, what every spec actually means, and a comparison of 8 popular switches from budget linear to Hall Effect.
Every mechanical keyboard switch does the same fundamental job: detect a keypress and send a signal to the computer. But how it detects that press — the mechanism inside the housing, the force required, the feedback it gives — varies dramatically between switch types. Understanding the physics of how a switch works makes every spec sheet and review immediately more meaningful.
This guide covers the three core switch types, what the key specs tell you, technologies beyond the traditional three, and a comparison table of eight popular switches covering the range from budget linear to premium Hall Effect.
Inside a standard mechanical switch, a stem travels downward through a housing when the key is pressed. At a specific point in that travel, the stem's mechanism completes an electrical circuit — this is the actuation point. The computer registers the keypress the moment that circuit closes.
After actuation, the key continues to travel until the stem physically hits the bottom of the housing — this is bottom-out. Bottom-out is the hard stop you feel at the end of a keystroke.
The gap between actuation point and reset point is called hysteresis. A large hysteresis means you must lift the key further before it resets — which can slow repeated keypresses. Clicky switches typically have more hysteresis than linears by design.
The downward pressure required to reach the actuation point. Lighter switches — around 35–45g — require minimal effort and feel fast. Heavier switches — 60g+ — require deliberate presses, which can reduce accidental inputs but adds cumulative fatigue. The right weight is personal: gamers tend to prefer lighter, typists often prefer moderate to heavy.
How far the key travels before the press registers. A 1.8mm pre-travel actuates earlier in the keystroke; a 2.2mm pre-travel means pressing slightly further before registration. The difference is subtle in everyday use but noticeable during precision gaming or fast typing.
The full distance from resting position to bottom-out. Most traditional switches bottom out at 4.0mm. Some designs, particularly box-stem switches, bottom out at 3.6mm. Shorter total travel generally feels snappier; longer travel can feel more cushioned.
A linear switch has a smooth, uninterrupted stroke from top to bottom. No bump. No click. The resistance increases gradually and consistently as you press down — purely the spring, with no mechanical event between top and bottom-out.
This consistency makes linears popular for gaming. There are no mechanical surprises mid-press: every keypress feels identical to every other. Fast inputs, rapid-fire presses, and directional movement all benefit from a stroke the hand can predict completely. Many typists also prefer linears once they've built sufficient muscle memory to know where the actuation point is without a bump to guide them.
The tradeoff: linears offer no feedback about when the keystroke registered. You must either bottom out every time (slower, adds fatigue) or train your fingers to release at the actuation point through practice.
A tactile switch introduces a physical bump at or near the actuation point. As the stem travels down, it encounters a point of increased resistance — then releases past it. That bump is the tactile feedback: a physical confirmation that the keypress registered, delivered through your fingertip.
The bump's character varies enormously between switches. Cherry MX Brown's bump is mild — many enthusiasts describe it as barely perceptible. A Holy Panda or Boba U4T has a sharp, pronounced bump that is unmistakable. The strength and sharpness of the tactile event is one of the most debated characteristics in the keyboard community.
Tactile switches are favored for typing because the bump lets you actuate without bottoming out. Once you've internalized where the bump is, you can release the key immediately after feeling it — a technique called catching the keystroke — which is faster and less fatiguing than pressing all the way down every time. They also work well in offices since most tactile switches produce no audible click.
Clicky switches add an audible click mechanism to the tactile bump. Inside the switch, a click jacket or click bar produces a sharp snapping sound at the actuation point. You feel the bump and hear the click simultaneously — two channels of feedback for one keypress.
The sound comes from a specific mechanical event, not just bottoming out. This is why clicky switches are louder than linears bottomed out hard — the click mechanism produces a sharper, more defined sound than plastic hitting plastic at bottom-out.
Clicky switches in shared offices or during video calls will reliably annoy everyone nearby. The click carries through desks, walls, and microphones. If you work near others, choose tactile or linear instead.
Topre switches use a capacitive sensor beneath a rubber dome rather than a metal leaf spring. The tactile bump comes from the dome collapsing under pressure, not a bump on the stem. The result is a smooth, rounded tactile event — often described as softer and more cushioned than traditional tactile switches. Topre has a devoted following among serious typists.
Hall Effect switches use magnets and sensors to detect stem position continuously throughout the keystroke, rather than closing a circuit at a fixed point. The actuation point is set entirely in software — you can actuate at 0.1mm or 3.9mm and change it at any time. Advanced features like rapid trigger (where the reset point is also software-configurable) have made Hall Effect switches popular in competitive gaming, where fine-tuning actuation and reset behavior per key provides a genuine mechanical advantage not possible with traditional switches.
| Switch | Type | Actuation Force | Pre-Travel | Total Travel | Best For |
|---|---|---|---|---|---|
Cherry MX Red |
Linear | 45g |
2.0mm |
4.0mm |
Gaming, general use |
Cherry MX Brown |
Tactile | 45g |
2.0mm |
4.0mm |
Office, all-around typing |
Cherry MX Blue |
Clicky | 50g |
2.2mm |
4.0mm |
Home typing, writers |
Gateron Yellow |
Linear | 35g |
2.0mm |
4.0mm |
Fast gaming, light touch |
Kailh Box Red |
Linear | 45g |
1.8mm |
3.6mm |
Gaming, dusty environments |
Topre 45g |
Capacitive Tactile | 45g |
2.0mm |
4.0mm |
Premium typing, endgame boards |
Wooting Lekker |
Hall Effect | Variable | Variable (software) | 4.0mm |
Competitive gaming, rapid trigger |
Durock POM Linear |
Linear | 62g |
2.0mm |
4.0mm |
Heavy-touch typists, premium feel |
The actuation point is where the keypress registers. Bottom-out is when the stem hits the bottom of the housing. Most switches actuate before bottom-out, so pressing all the way down is not required to register a keystroke.
Pre-travel is the distance from resting position to the actuation point. Shorter pre-travel (1.8mm) actuates sooner; longer pre-travel (2.2mm) means pressing slightly further before registration. The difference is subtle but noticeable during fast typing or precision gaming.
Generally yes — the smooth stroke makes rapid inputs and double-taps feel more natural. The tactile bump can interrupt fast muscle memory. That said, many competitive players use tactile switches successfully. Personal preference plays a large role.
Actuation force is the downward pressure in grams needed to reach the actuation point. Lighter switches (35–45g) feel fast and effortless. Heavier switches (60g+) require deliberate presses, reducing accidents but adding fatigue over long sessions.
Hall Effect switches use magnets and sensors instead of physical contact points. The actuation point is set in software, enabling features like rapid trigger where both actuation and reset points are software-configurable. Traditional mechanical switches have fixed actuation and reset points determined by their physical design.
Filter by type, actuation force, pre-travel, and availability in our full switch database.
Browse the Switch Database →